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Welcome to our Hall of Fame!
This grant is now available for shorts and low budget independents as well as documentary filmmakers. We have expanded to further our goals of creating films that are "unique and make a contribution to society" We are proud to have had more than twenty Grant winners complete their films to date with many others currently in production.
Below is a sampling of some amazing winning projects covering a variety of important subjects:
Changing Face of Harlem
Director/Producer – Shawn Batey
www.changingfaceofharlem.com
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Changing Face of Harlem is a one–hour documentary that examines the current revitalization in Harlem told from told from deeply personal stories of residents, small business owners, developers, public servants, and clergy.
Since the late 1980’s, the image of the Harlem neighborhood has evolved drastically from a crime-ridden ghetto abundant with abandoned buildings to an appealing economic investment with a rising draw of tourism and interest among large commercial business. As a result, the neighborhood has attracted new residents and new commercial corporate entities. Harlem residents have a mixed range of opinions about the future of their community. Some are fearful of what lies ahead and look towards the past for the best of its years. Others foresee a brighter future and happier days for a better Harlem. The main consensus that is prevalent among the community is a concern and necessity for cultural preservation.
The film overviews development in Harlem over the last 20 years and reveals the larger complex paradigm of gentrification. Present day Harlem represents economic prosperity, investment, and a promising future, but for whom? What will be the future outlook for one of America’s most famous and historic community?
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SOLD IN AMERICA – A modern-day tale of sex slavery
Director/Producer: Chelo Alvarez
Producer/Director of Photography: Cari Lutz
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Did you know that there are 27 million slaves in the world today? That human trafficking is a global business that yields $9 billion annually? That 800,000 people are sold into prostitution every year? And that in the United States, each year 18,000 women and children are trafficked and turned into sex slaves?
We consider slavery to be a relic of the past or a grievous human rights violation that occurs only in remote countries. But sexual slavery is a daily reality in our own neighborhoods: immigrants are lured into fake jobs that turn out to be a trap; children are sold by their relatives to sexual predators during weekend visits; and teenagers are forced by their boyfriends to turn tricks in locked motel rooms. All are SOLD IN AMERICA.
Sold in America is a modern-day tale of sex slavery that weaves the stories of women sold in the United States at an early age and their struggle to find freedom. In this character-driven documentary, we see how these women leave behind their harrowing past and become survivors who are now fighting to change the laws that shield the traffickers as well as helping to free those still entrapped.
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Colorblind Or Blinded By Color? The State Of Black Equality In America
Producers / Writers - Pamela Bright-Moon,
Erma Elzy-Jones and Anthony Asadullah Samad
Director - Erma Elzy-Jones
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Colorblind or Blinded by Color? The State of Black Equality in America is a feature length documentary. The term ‘colorblind’ means one is free from racial prejudice or oblivious to one’s color. Did you know that 51 years after the historic and controversial Supreme Court case of Brown vs. the Board of Education, which legislated an end to segregation in America’s schools and as a result addressed inequality in all segments of our society, continues to exist today in the form of colorblindness? African Americans were granted ‘equality’ by the 14th Amendment to the Constitution of the United States. Yet, we are still a country blinded by a person’s color. All things being equal, aren’t we all human beings first?
Racism, as overt as it’s been in the past, has been cleverly disguised in modern day America as colorblindness. This documentary examines the evolution of the race caste system in America by proving that segregationist Jim Crow laws of the 1850’s, disguised in modern day terms as colorblindness or race neutrality, continues to stifle and exploit the progress of African Americans and begs the question: Did America ever intend for African Americans to be equal to whites? With facts bearing out exaggeration, we prove that institutionalized racism still exists in the entire social fabric of America to include: education, the legal system, media and entertainment, health, labor, housing and economics. The documentary offers insights that aids in healing a nation wounded by its historic past.
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Yayoi Kusama
Producer/Director: Heather Lenz and Producer Karen Johnson |
The Polka Dot Princess Producer/Director: Heather Lenz and Producer Karen Johnson
Yayoi Kusama is an avant-garde artist often called Japan’s greatest living artist. At the age of 77, she continues to work prolifically, and was just awarded the 2006 Praemium Imperiale Laureate for painting, the world’s largest and most prestigious arts prize. The Polka Dot Princess is a feature documentary work-in-progress about Kusama, focusing on the progressive art she produced during the defining decade of her career when she left her native Japan and moved to New York City, and on the factors that caused her to fall into relative obscurity for many years afterward. The film will use archival materials, interviews and other classic documentary techniques, including an interview with the artist, to tell Kusama’s story. The filmmakers will also strive to bring the period and the artist alive utilizing dramatizations from Kusama’s writings shot on film. She is the author of a number of semi-autobiographical books and an autobiographical, never- produced musical.
Working in paint, sculpture, performance art and installations, Yayoi Kusama pre-figured minimalism, pop and feminism and rose quickly to the forefront of the avant-garde movement in 1960s New York City, at one point rivaling Andy Warhol for press notoriety. During this period the psychological deterioration that began in her youth worsened, and she began using her art as her own form of therapy. At her first solo show, she exhibited giant mural-sized canvases--at first glance only white, but upon closer examination methodically covered with shimmering, irregular “dots.” Vast works of polka dots and criss-crossing lines or “infinity nets,” as Kusama calls them, followed. Taken from her hallucinations and probably linked to incidents of abuse, these became the trademark of her work. The single-minded focus that went into their creation allowed Kusama to escape from the demons that had plagued her since childhood. Diagnosed with obsessional neurosis, she has said that she would have killed herself a long time ago if it were not for art. During WWII she was forced out of high school and into a factory where she spent her days sewing parachutes. In her words, the experience “killed her mind.” Her mother’s constant emotional abuse also damaged Kusama. It is Kusama’s “art medicine” that has enabled her to deal with intense emotional pain, working diligently and daily. Like Van Gogh, Kusama has continued to paint while living in a mental hospital. Her stay in a Tokyo institution is voluntary and she works from a studio nearby and “checks herself out” to attend exhibitions of her work and special events.
Judith Vida, M.D., a psychoanalyst specializing in creativity and mental illness, will help the filmmakers consider Kusama’s work as the embodiment of a different type of solution in the modern era of psychotropic drugs. We will further celebrate in film a woman who is one of the world’s greatest living artists, and bring to light her important role in the development of one of America’s most important artistic eras. And we strive to accomplish this while Kusama is still able to participate and benefit from the resulting attention.
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LILLIE & LEANDER A LEGACY OF VIOLENCE
Director/Co-Producer: Jeffrey Morgan Producer: Alice Brewton Hurwitz |
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Lillie & Leander: A Legacy of Violence is a feature length documentary film that examines the case of a black man suspected of raping and murdering a white woman at the turn of the 20th century in Pensacola, Florida. In investigating the rape and murder of her great-great Aunt Lillie Brewton Davis, Alice Brewton Hurwitz stumbles upon an explosive family secret. While newspaper accounts of the time reported the vigilante lynching of Lillie’s suspected black assailant, Leander Shaw, in fascinating detail, Hurwitz discovers that the men in her family exacted their own 25-year-long system of revenge. In one interview, an elderly relative recounts how the men in the family killed every black man who walked the road they lived on. The story seems to match the local mythology in this divided community.
When the Assistant State Attorney gets involved, an investigation begins in full force with a cadaver dog search, ground penetrating radar, and excavation. As Alice reaches out to the black community for help in finding stories of missing black men, she faces anger and fear from her relatives. Clearly the ramifications of finding a mass grave would be monumental, but regardless of whether or not the remains are uncovered, the interviews with the family, historians, and other members of the community attest specifically that this violence and other similar incidents did occur. More than a crime investigation, this film addresses the racism that still simmers in many U.S. communities through a powerful, unforgettable tale of family secrets unlocked.
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Women at War produced
by Christie Davis |
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”Women At War: Voices of Female Gulf War Veterans” takes an intimate look at women soldiers’ wartime experiences during 1991’s Desert Storm and their battles with Gulf War illnesses since they’ve returned home. Through vivid interviews and hometown visits with twelve female Gulf War veterans, we relive their war-time experiences. 1991’s Desert Storm was a toxic battlefield. Oil well fires, depleted uranium and inoculations coincided with breathing distress, severe gastro-intestinal attacks, and abnormal menstrual bleeding.
When they returned home to parades and cheering crowds, these women, like other Gulf War veterans, confronted a hostile VA who dismissed their illnesses while refusing them benefits and pensions.
The emotional presence and observations of Carol Williams, a Caribbean-American, who served as a Navy corpsman and the medical insight and empathy of Denise Nichols, an Air Force Major, form the heart of the story. Themes of protection and betrayal, love and loss unite these women veterans who have overcome despair to discover new opportunity as advocates for themselves and other veterans. Despite their illnesses, they testify before Congress, help homeless veterans and assist children born with war-related birth defects.
Today, over 56% of all soldiers who fought in Desert Storm are now sick and dying. Why has our government consistently denied them proper testing, treatment and compensation? Why have they been abandoned by the country they laid down their lives to serve?
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BAM 6.6
A documentary film by Jahangir Golestan |
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In 2003, an earthquake measuring 6.6 magnitudes, struck the city of Bam, killing over 50,000 people, injuring over 20,000 residents, and leaving more than 60,000 citizens homeless. The earthquake destroyed much of the beautiful ancient city, known for its old quarter, and decimated its 2,000-year-old citadel.
Bam 6.6 follows the experiences of Adele Freedman, A Jewish-American woman who was vacationing in Bam with her fiancé, Tobb Dell’Oro, when the earthquake struck. Adele, who is forced to face Tobb’s tragic death alone in the crumbling city, halfway around the world, finds surprising comfort when the Muslim citizens of Bam reach out to her. The film interweaves Adele’s experiences with the experiences of Iranian survivors, who provide a painful reality of the earthquake’s devastating toll on their community. Adele and her family quickly discover that falling bricks and collapsing walls do not distinguish between Jew, Christian, or Muslim, between American and Iranian.
Negative images have created a curtain between the U.S. and Iran—a curtain that prevents easy exchange of ideas and shared collaboration. Bam 6.6 lifts the curtain, allowing viewers to share in the universal language of grief, loss, and hope.
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Wakefield Convicted, Sentenced to Die
Eric Gottlieb |
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Most Americans believe in their criminal justice system. They tend to trust those with whom power resides – policemen, prosecutors, judges. More often than not, the men and women who comprise our criminal justice system competently discharge their duties with integrity and honor. But, sometimes, the public’s trust is misguided.
Charles Wakefield, Jr., has been languishing all but forgotten in a South Carolina prison for the past thirty years, branded a vicious killer by the men who put him behind bars. He has steadfastly maintained his innocence since January 31st 1975, the day South Carolina narcotics deputy Frank Looper and his father were gunned down in cold blood outside their Greenville home. Despite persistent, lingering doubts surrounding the conviction, Charles Wakefield’s pleas for assistance have always fallen on deaf ears.
Wakefield Convicted, Sentenced to Die documents my re-investigation of Charles Wakefield, Jr.’s 30-year-old capital murder convictions. Four days into production, the prosecution’s star witness, Wyatt Earp Harper, unexpectedly recants his trial testimony, claiming investigators coerced him into testifying falsely against Wakefield in 1976. The man who prosecuted the case is Billy “Strom’s Boy” Wilkins, now Chief Judge of the United States Court of Appeals for the Fourth Circuit, a man rumored to be on President Bush’s short list for a Supreme Court nomination. The videotaped recantation subsequently forms the basis for a court hearing to determine whether Wakefield should be granted a new trial. This film chronicles my efforts to uncover the truth behind the Wakefield case – and the efforts of some of the most powerful men in South Carolina to stop me. www.charleswakefield.com
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Matter in the Making
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| Matter in the Making V V Hsu and Tonia Chao Hsieh
“Matter in the Making” is a docudrama about the
ground-breaking healing science called Radionics.
Everything in this reality begins as a thought. Just
as an architect must conceptualize a building before
that building can be built, illness is also born from
a thought. Imagine treating that illness while it is
still being formed in your mind and before it becomes
a reality in your body. That's Radionics. It treats
your Etheric body.
How does Radionics work? Our documentary leads you
through the process by re-enacting the exciting
moments of discovery in the works of early pioneers:
Albert Abrams, Curtis Upton, Ruth Drown and George de
la Warr. Interwoven between these dramatic scenes is
the heart-breaking story of a father who tries to ease
his young son's painful suffering from cerebral palsy
by using Radionics.
Why does Radionics work? We interview noted
physicists, biologists and neurosurgeons who
collectively have spent the last fifty years
determining how our cells communicate through
electromagnetic signals and where our body’s
“blueprints for health” reside. Scientists show that
our brain is the key retrieval and read-out mechanism
for accessing this critical information.
So what does this mean? This means that the mind can
affect reality. Not only can the mind be used to
focus on healing the body, but importantly, the mind
can be used to create a better world. Imagine a world
where illness is never allowed to take hold in one’s
body. Imagine a world where our elderly no longer
need to buy expensive prescription medications.
Imagine a world where healthful, pesticide-free foods
are easily grown to feed our children. Imagine a
world where people understand that what they think,
creates the world they live in. producers@karmapictures.com
www.karmapictures.com 510-816-1488
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Independent Intervention
by Tonje Schei, Director/Producer: Tonje Hessen Schei, Editor: David Bee |
INDEPENDENT INTERVENTION is a documentary about the importance of independent media in a time of war and corporate control of the media. Focusing on the human costs of war, it contrasts the mass media's coverage of the invasion of Iraq with non-embedded independent investigative reports of the brutal realities on the ground.
tonje@schei.net.
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MISS NAVAJO
Billy Luther, Co-Producer/Director & Duana C. Butler, Co-Producer |
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One Navajo woman's quest for the Miss Navajo Nation
Crown leads her to question the role of women in
bridging the reality and mythology of her culture. The 53-year-old pageant is no ordinary beauty contest- it's also a celebration of traditional values and language. The contestants also demonstrate knowledge of Navajo skills: rug weaving, fry bread making, and sheep slaughtering. MISS NAVAJO also addresses themes of cultural identity, racism and the role of the Navajo deity Changing Woman.
Accompanying footage of the current contestant's
journey will be interviews with former title-holders,
whose recollections of their own experiences will
enrich the unfolding of the young woman's pursuit.
Newspaper articles, photographs and archival film
footage of past pageants provide historical context.
But in the end, the emotional heart of this story is
one Navajo woman's search for a better
life.billyluther@gmail.com.
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NYC Spirit
by Muriel Stockdale |
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The film New York City Spirit depicts a composite day in New York City through 90 minutes of rich and colorful images of New Yorkers choosing a moment to connect to God or Spirit. The soundtrack of the film will consist of sacred music of disciplines from around the world and be performed by local New York artists. The visuals will be shot in HDTV and the soundtrack will be recorded in the latest 5.1 surround sound. Currently we are raising funds for production.
New York City Spirit celebrates the spiritual heart of New York City which is a paradigm for a new global future. Harmony generally prevails among our hundreds of different faiths. This harmony is New York Spirit. For more information on how you may participate and to see our two trailers please see our website at www.nycspirit.com.
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It’s Not About the Horse
by Barry Boyle |
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IT'S NOT ABOUT THE HORSE, BarryBoyle & Carole Joyce producers, is a feature length documentary about a very gifted therapist who partners with horses to bring a powerful healing experience to prisoners in a maximum security prison in the Arizona desert.
Wyatt Webb uses the horses as sounding boards, sensing and reflecting back to Wyatt the patients own thoughts and feelings, honestly and without judgement. They are there to help patients expose their innermost feelings. Wyatt’s spiritual connection with the animals helps him lead his patients to self-discovery and healing of their deepest psychological wounds. He is kind yet disarmingly honest without ever being threatening or invalidating.
A psychologist with over twenty-five years experience, Wyatt is at the apex of his career. His ranch is based at the Mirival Healing Center, Tucson, Arizona. Where he has helped many many people.
Wyatt’s methods have brought him a lot of attention. His first book "Its Not About The Horse" published October 2002. This book has sold very well approaching recognition on the best seller lists. Sales to date are in excess of 30,000 copies. The second book "Overcoming Fear and Self Doubt" has just been published. The man and his methods are entertaining, endearing and healing. Wyatt connects with his patients because he truly care’s about helping them. Very few therapists have genuine empathy with their patients.
The film will follow Wyatt as he works for the first time with prison inmates and their guards at Florence Prison in the Arizona Desert. A maximum security State and Federal Correction facility. The inmates here are the most troubled in the country.
As Wyatt says "therein lies the potential for the greatest healing".
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Runners High
by Justine Jacob and Alex da Silva |
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Running a marathon is tough on the body and mind. Growing up in East
Oakland, California can be even tougher. RUNNERS HIGH, a documentary
film, tells the story of a group of teenagers trying to do both. These
are not your typical long-distance runners -- many are overweight and
most could barely jog one lap around a track when they started. They
come from homes where unemployment, uncertain immigration status,
missing parents, and domestic violence are common. Yet in spite of all
this, with the help of a small and dedicated group called Students Run
Oakland, these students decide to take on the 26.2 mile challenge of
the Los Angeles Marathon. Their lives will never be the same.
RUNNERS HIGH is a film about taking responsibility for oneself, self
respect, and making a commitment to doing one’s “personal best” in all
aspects of life. http://www.runnershighfilm.com
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Art Rescuers of Nukus
by Amanda Pope and Tchavdar Georgiev |
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Amanda Pope and Tchavdar Georgiev¹s work-in-progress documentary ³ART RESCUERS OF NUKUS² tells a story of the Islamic world and the West coming together to save a common art legacy, it is an invigorating and positive story a contrast to our present reality.
In a remote Central Asian desert in Uzbekistan in one of the world¹s poorest regions, next to a chemically poisoned sea, there¹s a unique treasure. 50,000 paintings - censored during the Soviet era - of the Russian Avant Garde, a movement that re-defined the nature of modern art. These are part of the collections of the Nukus Museum and very few people in the world know anything about them. The film will tell the tales of artists condemned to obscurity, of a collector, Igor Savitsky, unique in his charm and eccentricity, and of the present director of the museum, whose commitment to the art treasures in her custody has led her to defy some of the fundamental assumptions about a woman¹s role in Islamic culture. Onwards, Amanda
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The Secret Life of Water
by Chris Toussaint |
| Physicians, scientists and naturalists demonstrate how so-called “structured” water can be a powerful new tool in cleaning up and vitalizing our bodies and the environment. By revealing processes which mimic the way water flows in Nature and through cutting edge scientific discoveries, this program explores this newly emerging field which may soon prove that water is actually alive and even conscious.
Using microscopic footage of water clusters, 3-D animation, before and after comparisons, time lapse of visable effects, beautiful scenics of water in nature, and interviews with leading experts, this documentary balances scientific theory and experimentation with the personal testimony of patients and therapists. Our cameras visit the healing water sites of Lourdes and Tlacote, Mexico. We investigate the claims that these “super waters” can hold memory, that they can break down pollutants into non-toxic elements, and that they can reverse disease.
The Secret Life of Water is just one more demonstration that science, commerce
and spirit are converging to give us the tools we need to counteract the
water wars, epidemic diseases and ecological catastrophes that loom on the
horizon if we choose to deny the life-giving solutions that Nature has provided
for millions of years. |
Shakespeare Behind Bars
by Jilann Spitzmiler and Hank Rogerson of Philomath Films |
| SHAKESPEARE BEHIND BARS is a feature length documentary about an all-male Shakespeare company working within the bars of a Kentucky prison. The film follows this unusual acting troupe for 9 months as they rehearse and perform a full production of The Tempest. In this prison atmosphere, the words of Shakespeare act as a catalyst for the men to examine their past with remarkable candor. They are all individuals who have committed the most heinous crimes, and who are now confronting those crimes on stage. In this process, we see these unlikely men testing the power of truth, change, and forgiveness.
SHAKESPEARE BEHIND BARS is currently in post production. The project has also received grants from the Sundance Institute Documentary Fund, as well as the JKW Foundation. The film is being produced by Jilann Spitzmiler and Hank Rogerson of Philomath Films. For past projects, Philomath has received grants from ITVS; Open Society Institute (Soros Documentary Fund); The Edgebrook Foundation; and the Sundance Institute Documentary Fund. Work by Philomath Films has screened at festivals such as Sundance, SXSW, and The Taos Talking Picture Fest, picking up numerous awards, including the Audience Award for Best Documentary at AFI FEST 2000; BEST SHORT DOCUMENTARY, Nashville Independent Film Festival 2000; and BEST FEATURE DOCUMENTARY, Fargo Film Festival 2002. The filmmakers’ work has been seen on PBS, NBC, A&E, Discovery Health, Bravo, among others. |
Winalota Cash
by Jack Groverland and Del Matthew Bigtree |
| WINALOTA CASH- On September 4, 1995, five New Mexico state marshals took up positions around the starting gate for the running of the All American Futurity, the world’s richest quarter horse race. They were there because of a threat made against a horse named Winalota Cash, who was owned by a poor African American couple, James and Andra Meridyth.
A clique of wealthy horsemen, who must have believed quarter horse racing was exclusively a white man’s sport, did everything in their power to sabotage the “nigger’s horse” (their actual words in a threat made against Winalota Cash). When all their dirty tricks in the qualifying races failed to stop Winalota Cash they offered the Meridyths one million dollars for their horse, and half the purse should Winalota Cash win the All American. Since the Meridyths paid a few thousand dollars for the colt, and since they were broke, and since anything can happen in a horse race comprised of the ten fasted horses in the world, the choice to take the money seemed an easy one.
However, the Meridyths declined the offer, borrowed the entrance fee and went on to become the first African American to win the All American Futurity. Winalota Cash set a track record in the race that has never been broken. |
BAD BOYS OF SUMMER: The San Quentin Giants
by Loren Mendell and Tiller Russell |
| BAD BOYS OF SUMMER: The San Quentin Giants - A field of dreams in the toughest prison in America… Welcome to San Quentin baseball. Bad Boys of Summer will follow a group of prisoners through a season of baseball at San Quentin State Penitentiary. Needless to say, all games will be played at home.
Offering a unique and unflinching look at life in maximum security, the project will paint a gritty and moving portrait of America’s worst at their very best. From the inmates in the yard dubbed “the most ruthless fans in baseball” to the semi-pro teams that show up at the “Q” to test their mettle against the Giants, the film will put an unforgettable new face on our national pastime. |
STOLEN
by Rebecca Dreyfus |
| STOLEN - On March 18, 1990 my favorite painting in the world was stolen. Vermeer's The Concert, one of only 35 of the master's surviving works, was taken from the Isabella Stewart Gardner Museum in Boston. Many other paintings were also stolen that night, including Rembrandt's only seascape, in what turned out to be the biggest art heist in American history.
Over ten years later, I found myself still haunted by the painting and its many mysteries, from its elusive tableau to its unknown location. So, I set out to make a film exploring The Concert, its origin, and its fate. I quickly found others who shared my obsession, particularly Harold Smith, a dapper 75-year old private investigator specializing in fine art recovery, who is convinced he can find the missing art.
The evolving film is built around the fascinating, disparate characters involved in the story, including Mr. Smith and his search, Johannes Vermeer, the art collector and Grande Dame Isabella Stewart Gardner, and members of the Boston underworld who claim to know the whereabouts of the art.
In a larger context, STOLEN will bring much needed attention to the subject of stolen art. There is no governmental organization dedicated to the regulation and recovery of stolen art and the trade of these works is massive. The Gardner robbery is a perfect example of this complex and disturbing situation in which so many of the world's masterpieces are needlessly lost. |
| This Child of Mine |
| THIS CHILD OF MINE - December, 1998. In the maternity ward of a Eugene, Oregon hospital,armed security guards stand between a 38-year old HIV-positive woman and her newborn baby boy. In resisting HIV preventative treatment for their son andchoosing to breastfeed him, these two new parents face charges of "intent to harm" their child.
Less than twenty-four hours old, Felix Tyson is remanded into state custody. David and Kathleen Tyson have been called everything from "radical hippies" to "child abusers". The Tysons claim that despite mainstream research, breastfeeding would be the best thing for Felix, and that AZT, the common treatment for infants born to HIV-positive mothers, might harm him or even kill him.
The Tysons are not alone. Concentrating on several of these landmark cases, This Child of Mine will examine more fundamental questions in the fight to protect a child: Does the government have the right to remove custody of a child from a parent when parents do not comply with medical recommendations? Do coercive legal measures genuinely serve the best interest of the child? In presenting a debate that no other film or TV news story has yet taken on, this film gives a voice to parents who have found themselves standing alone against security guards, social service authorities, prosecutors, and even public outrage. Their battles will pave the road for future decisions that will affect the lives of many children to come. |
The Tomato Effect
by Faun Kime |
| THE TOMATO EFFECT - Ten years after my father¹s death in a mountain climbing accident, I decided to, once and for all, put to rest the conspiratorial whispers about the suspicious circumstances of his death. The Tomato Effect reveals what I discovered as I take the camera to investigate my father's death, but soon find myself unraveling his involvement, as a physician, in a raging medical controversy over the diagnosis of Multiple Chemical Sensitivity. As I peel back the layers, I discover that recognition of this diagnosis would have greater consequences to the chemical industry than the admission that smoking causes cancer did to the tobacco industry. And in the end, I learn that my investigation has its own enormous consequences. |
Psychiatric Prisoner
by Kendall Harnett and Doug Haight |
| PSYCHIATRIC PRISONER - Eleven years ago Rodney Yoder, having recently completed a sentence for battery, was escorted with little explanation from his ten by twelve foot cell at Menard State Penitentiary to his future residence at Chester Mental Health Center (CMHC) where he remains to this day. Psychiatric Prisoner is an examination into the disturbing circumstances by which someone is committed against their will to a mental heath system where the patients have fewer rights, resources, and chances of release than a convict in a state prison. This is a world where psychiatrists, acting according to a changing mental health code that declared homosexuals mentally ill as recently as 1972, observe behavior and attach stigmatizing labels to people that can mean time in a mental institution and often treatment with powerful anti-psychotic drugs. In the mental health system no one has more power than the subjective view of the psychiatrist.
Filmmakers Kendall Harnett and Doug Haight bring twenty years of experience to the table in an effort to uncover the bleak story behind a mental health system which, while operating with minute resources and very little concern from the general public has repeatedly failed their patients, often succumbing to a powerful drug lobby. Recently featured in Time magazine and NPR’s All Things Considered, Rodney Yoder stands poised to challenge the status quo of psychiatry, institutionalization and an aging mental health code. |
The Flute Player
by Joycelyn Glatzer |
| THE FLUTE PLAYER is an intimate, first-person documentary film about the life and work of Arn Chorn Pond. As a young boy growing up under Cambodia’s Khmer Rouge military regime in the 1970’s, Arn witnessed the darkest heart of humanity. While the Khmer Rouge carried out their campaign to kill every educated Cambodian, Arn was imprisoned in a death camp where torture and murder were everyday occurrences. For four long years Arn did whatever was necessary to survive, which included playing propaganda songs on his flute for his captors’ entertainment. “When I played the flute I had an escape in my mind,” says Arn. “I was lucky to be able to do that, in the middle of hell.”
After being forced by the Khmer Rouge to fight against the Vietnamese in 1979, Arn ran away to the jungle - eating what the monkeys ate - until he reached a Thai refugee camp. While at the camp, Arn was adopted by an American relief worker.
By the age of 16 Arn was living in rural New Hampshire, struggling to rebuild what was left of his life. With his flute in hand, he set out to awaken the world to Cambodia’s holocaust. On the road he attracted the interests of President Jimmy Carter and Attorney General Janet Reno, and he performed with musical artists such as Bruce Springsteen and Peter Gabriel. His efforts won him the Amnesty International Human Rights Award, the Spirit of Anne Frank Award, and the Reebok Human Rights Award. Accolades however, could not heal his broken heart and tortured mind. Haunted by the cries of children, the smell of blood, and the loss of everything that he called home - his family, his friends, and his culture - he still wondered, “Why did I live while so many others died?”
Today, at the age of 37, Arn has taken his very tragic past and turned it into something inspirational. He is striving to heal the deep scars of Pol Pot’s genocide by bringing Cambodia’s once outlawed traditional music back to his people. Within the four years of Pol Pot’s rule, Khmer Rouge soldiers killed 90 percent of Cambodia’s master musicians (the trained professionals), burned down the country’s concert halls, and destroyed a wealth of ancient instruments. “Imagine New York City losing all its music halls, all its musical instruments, and almost every professional musician. That’s what happened to us...and more,” says Arn. As the few surviving traditional master musicians grow old and fall ill, a way of life sits quietly on the brink of extinction.
Facing this desperate situation is Arn. From the New England mill town of Lowell, Massachusetts to the back streets of Phnom Penh, Cambodia, THE FLUTE PLAYER follows Arn as he brings Cambodia’s remaining master musicians back to their craft, and encourages Cambodian-American kids to mesh hip-hop with traditional Cambodian music. Throughout this journey across generations, continents and cultures, Arn confronts his own life, lived in the shadow of a painful past.
What does war do to the psyche of a people? What steps can a country and its people take to rebuild after experiencing profound destruction? Why is the preservation of culture important to personal identity and survival? THE FLUTE PLAYER explores these questions as it tells a riveting and enlightening story about hope, healing and the will to survive in the aftermath of war.
Director/Producer, Jocelyn Glatzer
Co-Producer, Christine Courtney |
Double Dare
by Amanda Micheli |
| DOUBLE DARE - Jeannie Epper and Zoe Bell have been set on fire, thrown off buildings, dragged by wild horses and hit by cars. As Hollywood stuntwomen, they are the agile illusionists of filmmaking; they stand in for action-heroes, victims of brutality and everything in between. They are the salt-of-the-earth professionals behind the high-flying scenes, constantly balancing their own safety against the demands of athletic artistry in motion.
DOUBLE DARE explores the lives of Epper and Bell, the stunt doubles for "Wonder Woman" and "Xena: Warrior Princess," as they face the challenges of a dangerous and male-dominated profession. These anonymous real women behind the icons are at drastically different crossroads in their lives. One, a grandmother, struggles with the aging process and Hollywood's dearth of older female roles; the other, a young woman, is brash and unaware of the feminist battles that have paved the way in her rough, macho field.
We've been following Epper and Bell for more than three years, while they struggle to stay employed, stay thin and stay sane. The film contains behind-the-scenes footage of "Xena: Warrior Princess," "6 Feet Under," and Quentin Tarantino's new film, "Kill Bill," among others. It features interviews with Steven Spielberg, Quentin Tarantino, Lucy Lawless and Lynda Carter. DOUBLE DARE is directed by Amanda Micheli who received an Academy Award, the IDA award and a national POV broadcast for 1996's "Just for the Ride" about rodeo cowgirls.
www.doubledarethemovie.com
Stunts@runawayfilms.com |
| Truth Has Fallen |
| TRUTH HAS FALLEN - Armed with funding from individuals, churches and foundations, James McCloskey founded Centurion Ministries in 1983. With the help of volunteers and respected lawyers, he reinvestigates murder cases where a miscarriage of justice may have occurred. "Truth Has Fallen" is a one-hour 16mm animated/live action documentary about McCloskey's mission to free these wrongly convicted prisoners who are serving life sentences or are on death row for murder. As we listen to the first-person accounts from Mr.McCloskey and the people he has helped, animation and live action photography bring their words to life. Images from prison, courtrooms and police interrogations melt into one another. The film examines three of the cases he has worked on, and investigates the circumstances which allowed these injustices to occur while exploring issues concerning the death penalty, racism and our justice system. |
| MC5 * A True Testimonial |
| MC5 * A TRUE TESTIMONIAL - During the 1960s Detroit's MC5 fused the liberating spirit of music with the politics of rebellion and delivered the soundtrack to a generation bent on change. MC5 * A True Testimonial celebrates the timeless story of five working-class friends who came together with a singular vision: to change their world through rock and roll.
"Do not doubt, do not hesitate, this is a lightening bolt of a movie... far and away the best rock-music documentary of the 21st Century."-Jeffrey Wells, MOVIEPOOPSHOOT.COM
"...will blast you out of any reverie as that band kicks out the jams and most viewers cochleae."-Elvis Mitchell, THE NEW YORK TIMES
"...an absorbing portrait of a singular counter-culture mini-phenom ...genuinely exciting."-Dennis Harvey, VARIETY
"...this isn't just a rock'n'roll movie. It details a complex time in American history."-Tom Rafferty, THE GLASGOW HERALD
"...(a) great documentary... full of flash, blood and heat... an impressionistic blur of glitter, stars and stripes."-Kimberly Chun, THE SAN FRANCISCO BAY GUARDIAN
"A scorching, hard-driving trip..."-Pat Aufderheide, INTERNATIONAL DOCUMENTARY MAGAZINE |
| Time of Hunger |
| TIME OF HUNGER - A documentary on hunger in America and childhood malnutrition. The film will document the need for more information for people who are working for minimum wage and still can't feed their families. Many of these people put housing and transportation first to maintain their family's security and their job then comes food, which often runs out before the next payday. This film will tell people where to go for help and will inform the public that we do have hungry people in the U.S. |
| Silvia |
| SILVIA - Silvia Baraldini moved from Italy to America in the 1960's at the height of the Civil Rights Movement. A war was on; black-led marches, sit ins, boycotts and Freedom rides were exposing the hypocrisy in the American creed, "Liberty and Justice for All". Lives were lost, leaders were imprisoned or murdered, cities and churches were burning in the Promised Land. Silvia, witness to these events, was marked, and so began the decisive lessons that would shape this revolutionary.
Margo Pelletier and Lisa Thomas are developing a documentary on the life of Silvia Baraldini, political prisoner. After 15 years as a political activist she was arrested by the FBI and sentenced to 43 years in prison. In 1999, after a ten-year campaign and one million Italian signatures pressuring the U. S. Government, she was transferred to a prison in Rome. This April 2001, the Italian government granted Silvia "house arrest" to undergo treatment for the cancer. The Bush administration is insisting she be returned to prison in September. This documentary will address Silvia's political beliefs and actions in context to the demands of their historic time revealing the interdependent and sequential events, as having a human logic whose objective is noble and not criminal. |
Women Behind The Camera
Alexis Krasilovsky |
| WOMEN BEHIND THE CAMERA is a documentary about women cinematographers from around the world: the pioneers who were the first to film from mountaintops, from helicopters, in war zones, underwater, and on Hollywood sets, and the new generation of camerawomen who are achieving their visions now. This one-hour program explores the visions and voices of women cinematographers of mainstream features, independent films, documentaries, commercials and music videos. Some of the important issues are: acquiring camera skills and getting experience on the set, climbing the ladder to become a Director of Photography; experiencing the magical moments behind the lens; the creative interaction with directors vs. the buddy system; facing the conflicts between location work and motherhood; and the ultimate reward of living a life in order to tell stories through pictures. Many of the camerawomen interviewed at length in the companion book, WOMEN BEHIND THE CAMERA: CONVERSATIONS WITH CAMERAWOMEN (Prager 1997), have won Emmy's, Cannes Film Festival Camera d'Or's, and other awards: the technical level of their footage--ranging from SALAAM BOMBAY to HONEY, I SHRUNK THE KIDS--will prove to be superb. |
Halsted Street, USA
by David E. Simpson |
| Nowhere in America does a stretch of pavement slice through a more vibrant and diverse cross-section of humanity than Chicago's Halsted Street. Along its length one can view a dozen nationalities, a thousand lifestyles-the American melting pot at full boil. Has it melted; can it melt; should it melt? And who are the people that make up this stew?
Halsted Street, USA traces this uniquely American thoroughfare nearly 400 miles, from its origin in the cornfields to its terminus in the city's boisterous soul. The result is a riveting, kaleidoscopic road movie, a film about the literal common ground linking seemingly disparate communities.
Halsted Street slices through a memorable cultural landscape: from the heartland of rural Illinois to the mostly African-American and impoverished south side of Chicago; from white-ethnic Bridgeport, home to five generations of an Irish family named Daley, to Pilsen, hub of Chicago's Mexican community; from the colorful chaos of the Maxwell Street market to the high-rise ghettos of the Cabrini Green public housing project; from the yuppie boutiques and blues clubs of Lincoln Park to Lakeview, where Halsted is the backbone of Chicago's gay community.
A varied and colorful cast of characters guide us along this route: kids in a rural town, a Latino street-muralist in Pilsen, a junk scavenger in Cabrini Green, and revelers at the gay pride parade.... Their impressions and anecdotes bring into focus issues that simmer up from the asphalt of main streets all across the country - tolerance and racism, immigration, class disparity, ethnic/national identity.
Directed by Sundance Film Festival award-winner David E. Simpson and narrated by renowned oral historian Studs Terkel, Halsted Street, USA is a colorful and entertaining film, a crash course in cultural geography not to be missed. |
Hempsters: Plant the Seed
Michael Henning |
| HEMPSTERS: PLANT THE SEED is a documentary on the industrial use of hemp. I was not aware that hemp is not a drug - I was always under the impression that hemp was pot and pot was hemp. While they are related to each other they are not the same, although due to our federal drug laws they are lumped together in the same category.
After seeing the movie I was surprised that Canada and most of Europe are working to use hemp as a major bio crop. They even had a display from the state of Kentucky showing the different uses for hemp. From clothes to petroleum oil it can be used for just about anything. |
| Alma |
| ALMA is a coming-of-age drama based on a true story. The film portrays a teenage Chicana migrant worker who discovers she is not a US citizen and is jailed in a maximum-security prison for holding false papers. Alma's father, a stern patriarch who demands unquestioning loyalty from his family, has lied to Alma about her birthplace in an effort to protect her from his political past in Mexico. But when Alma discovers her true identity, it incites her rebellion against the limitations imposed by her father and allows her to embrace her true ambition to become a doctor. Ultimately, Alma must struggle to disentangle herself from her father and his pattern of deception to find intimacy and independence. |
Tahara
Sara Rashad |
| TAHARA is the Arabic word for purification. In Egyptian culture tahara describes the tradition of female genital mutilation or FGM. Cutting the sexual organs of a girl is meant to cleanse her and prepare her for marriage.
In Egypt, tahara goes as far back as the Pharaohs, when women couldn't inherit land unless they were circumcised. Today, the practice has been ruled illegal, but it still continues. Some women still practice tahara because they're psychologically tied to the tradition.
www.taharafilm.com |
All Power to the People
by Lee Lew Lee |
| ALL POWER TO THE PEOPLE uses the history of the Black Panther Party to examine the Civil Rights Movement of the 1960s and how the politics of racism, violence, poverty, drugs and fear continue their legacy in the 1990s. Filmmaker Lee Lew Lee provides a bold panorama of the times through archival footage and interviews, including such seminal figures as Martin Luther King Jr., Malcolm X, Leonard Peltier, Bobby Seale, Huey Newton, Eldridge Cleaver and Mumia abu Jamal.
"All Power to the People" has been broadcast in 24 nations on 12 networks and been viewed by many millions globally, thus becoming one of the most widely influential human rights documentaries ever. |
In My Corner
by Ricki Stern and Anne Sundbeg |
| IN MY CORNER - Filmmakers Ricki Stern and Anne Sundbeg deliver a knock-out punch in a portrait of two teenagers seeking refuge and respect in a neighborhood gym in the South Bronx. This winning film went on to air on national television in PBS's P.O.V. series. |
American Chain Gang
by Xachery Irving |
| AMERICAN CHAIN GANG documents the experiences of the prisoners and officers of the recently revived male chain gang and the world's first female chain gang. Filmmaker Xachery Irving recently received the Townsend Tenacity Award, and has presented American Chain Gang nationwide at such locations as the Nantucket Film Festival, South by Southwest Film Festival, the 1999 Human Rights Watch International Festival, and New Filmmakers. The film will also be screening at this year's Sedona International Film Festival.
This film has been chosen by PBS for national airing. Watch the web site for dates in 2001. This is the first in a series of Roy W. Dean films to be seen on PBS. |
Salvaged Lives
by Barbara Leibovitz |
| SALVAGED LIVES is a compelling documentary by Barbara Leibovitz on a rehabilitation program which trains prison inmates to become deep-sea divers. This film was selected as one of the outstanding documentaries of 1995 by the Academy of Motion Picture Arts & Sciences, won best documentary feature at the 1996 Santa Barbara International Film Festival, won a Bronze Apple Award, and won the Townsend Tenacity Award. The film made its broadcast premier on the Discovery Channel, and Warner Brothers has optioned the dramatic rights to the film. |
Free A Man To Fight
by Mindy Pomper |
| FREE A MAN TO FIGHT - This important film by Mindy Pomper uncovers the hidden stories of women veterans of WWII. Many of us are not aware that women in the service were more than just nurses...they were mechanics, and even pilots. This winning film went on to be aired on the History Channel, and was screened at the Women Veterans Memorial, where it is now a part of the permanent archive. |
Hopilavayi
by Bart Hawkins |
| HOPILAVAYI - After two years of frequent visits to the Hopi nation in Arizona, Bart Hawkins temporary moved to Sipaulovi and Hotevilla. There he produced HOPILAVAYI, a film about the language of the Hopi and their way of life. Dedicated to the intuitive and spiritual in all forms, Bart offered all film rights to the Hopi nation. In appreciation for the film and its message, Brooks Institute of Photography offered a full scholarship to a Hopi student willing to attend the school. Bart's insight, boldness and sensitivity caught the attention of the film industry. He received the Roy Webster Dean Film Grant Award, the CINE Golden Eagle Award, and the Townsend Tenacity Award. HOPILAVAYI was shown in national and international film festivals. |
A Chance To Grow
by Claire Marie Panke |
| A CHANCE TO GROW follows three families in the neonatal intensive care unit (NICU) at St. Vincent's Hospital in New York. Focusing mainly on parents' perspectives, the film reveals the emotional impact of a journey though the NICU, allowing viewers to witness a baby's initial admission into the unit as well as the day-to-day struggles throughout their stay. The documentary also delves into the complex ethical issues that arise on a daily basis in the NICU, examining the borders of survival outside the womb and challenges brought on by the very technology that saves many preemies. The film, an eight-year project, premiered at the DoubleTake Documentary Film festival, aired on the Discovery Channel as A Baby's Battle For Life, and has been playing via National Geographic abroad as well as several other venues. A Chance to Grow was awarded a Cine Golden Eagle, an Honorable Mention at the Chris Awards, a Bronze Health Science Communication Award, and an American Academy of Nursing Media Award. Claire also discussed the film as a featured guest on the NPR Radio Program "Satellite Sisters."
www.littleoneprods.com |
The Factory Women of Juarez
by Martha Adams |
| THE FACTORY WOMEN OF JUAREZ Concerns the mysterious brutal murders of 200 young female assembly line workers (foreign owned companies in Mexico) since 1995 and the disappearance of yet another 200 women. The project aims to shed light on these unsolved murders and a society struggling to define itself. |
Homeland
Jilann Spitzmiller |
| HOMELAND is the story of four Lakota Indian families living on the beautiful Pine Ridge Reservation in South Dakota. Filmed over three years,HOMELAND weaves an intimate portrait of contemporary Native American life through the personal stories of a spiritual leader, a grandmother, a community activist, and an artist. The film balances the harsh realities of reservation life with the strength and vibrancy of the Lakota culture. This film invites us to remember the value of humor, family, spirituality and the natural world. |
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